Blessed Virgins (10 of 783)
When we last left Kinch (aka Stephen, aka Dedalus) on page 9, he was remembering his mother's secret possessions. On page 10 he continues this by recalling her memories, including the performance of an actor named Royce whose songs as Turko the Terrible caused her to laugh. He laments how memories are "folded away" and falls into his memories of her, finishing with "her shapely fingernails reddened by the blood of squashed lice from the children's shirts."
Kinch then recalls a dream where his mother visited him "to shake and bend my soul" and "to strike me down", which ends in our Latin challenge of the day...
A multitude of colors and shades in Kinch's memories of his mother: the dark of autumn, the brown sugar, and the reddened fingernails. The dream is dominated by smells: the odour of wax and rosewood followed by the faint odour of wetted ashes.
Very curious why Kinch's mother had a glass of kitchen tap water after approaching the sacrament and why it was as memorable as the roasting apple. Was she washing the sacred out with the ordinary, or did the host simply make her thirsty?
Buck Mulligan interrupts Kinch's reverie with with a call that breakfast was ready. Still shaken by his thoughts of his mother, Kinch heard "warm running sunlight and in the air behind him friendly words" and turned to the warmth of breakfast. The page ends with Buck once again telling Kinch he told Haines of Kinch's "symbol of Irish Art", which Haines found very clever and Kinch should touch him for a quid.
It is finally time for breakfast and to turn the page.
Kinch then recalls a dream where his mother visited him "to shake and bend my soul" and "to strike me down", which ends in our Latin challenge of the day...
"Liliata rutilantium te confessorum turma circumdet: iubilantium te virginum chorus excipiat."Google Translate makes an, um, interesting attempt...
"Liliata glimmering confessors you surround company: jubilant chorus girls you pick."As much fun as it would be to pick chorus girls, especially jubilant ones, it does not seem to fit with the passage. Fortunately there is a more apt translation at lindblommedia.com...
"May the crowd of joyful confessors encompass thee; may the choir of blessed virgins go before thee."That sounds suitably more Catholic. I believe Kinch is wishing his mother a happy welcome to heaven. She rejoins by calling him "Ghoul! Chewer of corpses!" He responds "Let me be and let me live." It's clear that there was some conflict in their relationship over his profession, and he's tired of being troubled by this even after her death.
A multitude of colors and shades in Kinch's memories of his mother: the dark of autumn, the brown sugar, and the reddened fingernails. The dream is dominated by smells: the odour of wax and rosewood followed by the faint odour of wetted ashes.
Very curious why Kinch's mother had a glass of kitchen tap water after approaching the sacrament and why it was as memorable as the roasting apple. Was she washing the sacred out with the ordinary, or did the host simply make her thirsty?
Buck Mulligan interrupts Kinch's reverie with with a call that breakfast was ready. Still shaken by his thoughts of his mother, Kinch heard "warm running sunlight and in the air behind him friendly words" and turned to the warmth of breakfast. The page ends with Buck once again telling Kinch he told Haines of Kinch's "symbol of Irish Art", which Haines found very clever and Kinch should touch him for a quid.
It is finally time for breakfast and to turn the page.
